 HOUSTON
GRAND OPERA (HGO) celebrates the ten-year anniversary
of JAKE
HEGGIE's masterful first opera DEAD
MAN WALKING (libretto by playwright TERRENCE
MCNALLY) with a production featuring an all-star cast
that includes award-winning mezzo JOYCE
DIDONATO who returns to her original artistic home
as
SISTER HELEN PREJEAN, legendary mezzo FREDERICA
VON STADE, in her farewell performance on the operatic
stage, as the convict's mother - the role she created for the
original San Francisco Opera production. Hailed as "the
most compelling opera in decades" and described by HGO
Music Director PATRICK SUMMERS as a Grand Opera
that whispers with intimacy, Heggie's masterpiece has played
to sold-out houses across the US and Europe since its premiere,
arguably on its way to becoming the most performed America opera
after GEORGE
GERSHWIN's PORGY and BESS. It has been
ranked along with Heggie's new, epic opera MOBY
DICK as among the BEST OPERAS of the 21st century.
Watch a video of JAKE
HEGGIE talking about the genesis of DEAD MAN WALKING
at FANFAIRE
FOUNDATION's opera appreciation concert "Writing
Opera Today with Jake Heggie and Suzanna Guzman"
DEAD
MAN WALKING opens on Saturday, January 22,
2011 at 7:30 p.m. in the Brown Theater of the Wortham Theater
Center and runs through February 6, 2011.
Visit FanFaire's pages on:
DEAD MAN WALKING, JAKE
HEGGIE, FREDERICA
VON STADE and JOYCE
DIDONATO
On January 25, 2011 Virgin/EMI Classics releases JOYCE
DIDONATO's latest
CD - DIVA, DIVO - a recording in which
the mezzo-soprano, Gramophone Magazine's 2010 ARTIST OF THE
YEAR sings, with her trademark dramatic flair and vocal acuity,
an array of "trouser" and "skirt" roles,
highlighting the vocal and gender range of her repertoire.
Recorded with the Orchestra and Chorus of Opéra National
de Lyon, conducted by KAZUSHI ONO, the CD includes
roles from Massenet's Cherubin, Cendrillo, and Ariane, Mozart's
Le nozze di Figaro and La clemenza di Tito, Rossini's
Il barbiere di Siviglia and La Cenerentola, Berlioz's
La damnation de Faust and Roméo et Juliette,
Bellini’s I Capuleti e i Montecchi, Gluck’s
La clemenza di Tito and Strauss’s Ariadne auf
Naxos - indeed, a tour-de-force CD! PREORDER
THE CD.
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Coming
to your neighborhood movie theater...
LIVE
IN HD (or using technology to grow
audiences) - a growing trend?
Can technology be gainfully deployed to capture new audiences
for what people have perceived, if not declared, as dying art
forms, i.e., opera and classical music?
The METROPOLITAN
OPERA blazed a trail on December 30, 2006 when it
launched its LIVE IN HD broadcasts in
movie theatres nationwide with Julie Traymor's spectacular production
of MOZART's
THE MAGIC FLUTE. If
the fact that LIVE IN HD is now in its
fifth season, number of High Definition
transmissions per season has grown from 1 to 12, and the countries
receiving the broadcasts now number over 40 (in some 1500 venues),
then the answer to the question must be a resounding YES! Not
only that, orchestras (Berlin, Vienna, Philadelphia)
and other opera companies (La Scala, Royal Opera House,
Liceu) in Europe and the US have taken the cue and joined
the bandwagon, though broadcasts are not as regular as the Met's.
The MET's next LIVE IN HD features JOHN
ADAMS' NIXON IN CHINA - coming
to your neighborhood theatre FEBRUARY 12, 2011.
The latest HD LIVE player is
the LOS ANGELES PHILHARMONIC which made its
first simulcast on January 9 to over 450 movie theaters in the
US and Canada. The program, hosted by pop/R&B singer and
actress VANESSA WILLIAMS, paired American music
by LEONARD
BERNSTEIN and JOHN
ADAMS with BEETHOVEN's
Symphony No. 7. The remaining concert broadcasts feature an
all-TCHAIKOVSKY program interspersed with performances
by actors reading related Shakespeare texts (March 13, 2011)
and an all-BRAHMS program (June 5, 2011).
What movie theatre audiences
get (that those in the fabulous Disney Concert Hall don't) are
up-close and dramatic views of the LA PHIL
in action under the baton of its young, charistmatic Music Director
GUSTAVO
DUDAMEL--captured with multiple high definition
cameras in digital surround sound), behind-the-scenes interviews
and rehearsal footage.
When movie theater simulcasts
are not feasible, beaming live or pre-recorded performances
to large screens in public places are a viable way of enhancing
public accessibility to opera and classical music. The MET has
done this frequently in the past, as did the LA PHIL
with DUDAMEL's inaugural concert as the orchestra's
Music Director, and more recently LA
OPERA with its free public screenings of DANIEL
CATAN's IL POSTINO at the California
Plaza in downtown LA and the Arts
Plaza of Orange Country Performing Arts Center, recently renamed
at a festive public ceremony SEGERSTROM
CENTER FOR THE ARTS in honor of the vision, leadership
and enduring generosity of the Segerstrom family, whose unwavering
commitment has been at the core of the Center's success.
SAN FRANCISCO OPERA
has taken a locally targeted, two-pronged "movie"
approach to audience-building.
ONE - through its free OPERA MOVIE
series for families. Following the success of its first opera
movie - THE MAGIC FLUTE FOR FAMILIES-- THE MOVIE!
San Francisco Opera Education will present six FREE screenings
of THE ELIXIR OF LOVE FOR FAMILIES—THE MOVIE!
on Sundays, January 23 and 30, 2011 at 11 a.m., 1:30 p.m.
and 4 p.m. at the Herbst Theater in the War Memorial Veterans
Building.
The one-hour movie that tells
the story of shy Nemorino winning the heart of the beautiful
Adina—with the help of a "love potion" was
created by the SAN FRANCISCO OPERA EDUCATION DEPARTMENT from
its whimsical 2008 production of DONIZETTI's popular opera
with a cast of former Adler Fellows and is a perfect way for
children to learn about the magic of the opera. The movie
is in English, with English subtitles.
TWO - through
a partnership with Sundance Cinemas to present HD screenings
of the Company’s acclaimed productions of PUCCINI’s
LA BOHÈME (January 11 &
15) and TOSCA (February 19 & 22) as well
as DONIZETTI’s LUCIA DI LAMERMOOR
(March 22 & 26) and THE ELIXIR OF LOVE
(May 10 & 14) at the Sundance Kabuki Cinemas in San Francisco.
These screenings, held monthly on Tuesday evening (7:30 p.m.)
and Saturday matinee (10 a.m.), mark the second series of
San Francisco Opera’s cinema presentations to be shown
at the Sundance Kabuki Cinemas, following a highly successful
run of four titles in 2010. Recorded live in High Definition
at San Francisco’s historic War Memorial Opera House,
all shows include English subtitles and a brief intermission
with behind the scenes interviews.
So, given all these (and there are downsides, talking points
for another day)... will technology prove to be a handmaiden
to these revered art forms or the fairy godmother who waves
the magic wand? We are hopeful, but only time will tell.
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DEPTH,
POWER & SUBTLETY...
Hailed
as "the world's most charismatic bass" RENÉ
PAPE returns to LA
OPERA on January 15, 2011 in his West Coast recital
debut. He sings a program of German Lieder-- some of
the greatest, deepest songs by SCHUBERT,
SCHUMANN,
and HUGO WOLF-- accompanied by celebrated pianist
BRIAN ZEGER. It will be an evening of depth,
power and subtlety.
The Dresden-born artist has been the
object of countless critical raves and constant audience enthusiasm
in every major opera house in the world. Earlier this season, he
made a highly acclaimed return to the METROPOLITAN
OPERA starring in the title role of a new production
of MUSSOURGSKY’s BORIS GODUNOV.
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EAST + WEST...
HGO Celebrates Houston’s
Eastern Communities with Song of Houston: East+West
HOUSTON GRAND OPERA celebrates
Houston as a meeting place for Eastern and Western cultures
with the launch of Song of Houston: East + West, a series of
new operas that
explore the stories of first- and second-generation immigrants
to Houston from all over the East.
The project, which starts with the Chinese community and will
continue through 2014, is deeply rooted in the cultures of all
those for whom Houston is home, and will generate fresh, relevant,
exciting new operas by important composers and librettists.
A series of nine chamber operas is expected to be commisioned.
READ
MORE...
And in China...
I SING BEIJING
presages the rise of a dynamic scene for the vocal arts in the
world's most populous country, paving the way for its entry
into opera's A-list.
A one-month summer academy under
the directorship of METROPOLITAN
OPERA bass-baritone HAO
JIAN TIAN, I SING BEIJING offers courses
in vocal technique, diction, stagecraft, interpretation and
musical styles of the western operatic repertoire as well as
classes in Chinese language and culture.
Open to young professional and
graduate level singers from all over the world, the full-scholarship
program will be held at the HANYU ACADEMY OF VOCAL ARTS
from July 18-August 18, 2011 and will culminate in a gala concert
at Beijing's most high-profile venus, with introductions to
important performing platforms and media outlets in China. APPLICATION
DEADLINE: January 31, 2011. There's more information
HERE.
Pictured above is the National Centre for the Performing Arts,
one of 50 "Western" opera houses that have already
been built in China's major cities. Construction of more houses
in smaller cities is in full swing. In opera as in classical
music in general... the "dragon" awakens, a phenomenon
in the making! |
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