"There
is no other place like this in the world."
- Dr. Gerald M.
Edelman, Founder and Director of the Neurosciences Institute
Photo credits: B&W, © Melissa Marquardt; Color: ©
FanFaire.com
The words
Dr. Edelman spoke at the Institute's opening in 1995 ring as true today.
The Institute is a very special place now as it was then - and in more
ways than one. Let's count the ways.
First,
the most visible - the architectural revelation that unfolds as one
walks eastward or westward from any of several undefined entry points
into what is obviously a very thoughtfully designed space.* As
the color photos above show--which were recently taken on a busy working
day-- the Institute, snugly carved into a hillside slope and quietly
hidden from street view, today stands in subdued magnificence, as pristine
as on the day of its unveiling. (And you can take our word for it; we
were there at the opening.) The elegantly landscaped, sun-drenched central
plaza and the trio of buildings encircling it together make up a highly
nuanced geometric wonder of concrete, stone and glass. A perfect
picture of balance, harmony and serenity - befitting the "scientific
monastery" the Institute was designed to be.
 On
one side, behind a panel of tinted blue glass is the building for experiment;
on the other side, jutting out above the rest of complex in cantilevered
splendor, the building for theory; and between them, the cube-like
centerpiece - the building for community, the auditorium where the Institute's
high priests of brain science gather to share their enlightened discoveries
among themselves or with guests from the "outside world."
Second,
the AUDITORIUM - noted for its superb acoustics which was designed by
the eminent Cyril Harris, who counts the Metropolitan
Opera, Avery Fisher Hall, and the Kennedy Center among his brilliant
achievements. Name another scientific research center in the world that
can match this seemingly perplexing devotion to MUSIC, or which would
purposely showcase the world-acclaimed JULLIARD STRING QUARTET as the
centerpiece of its inaugural celebration as the Institute did.
But be dumbfounded no more! Dr. Edelman is a classically trained
violinist (who briefly considered becoming a concert soloist, but realizing
he lacked the requisite extroverted temperament, turned to medicine
and science instead). He also once chaired a symposium on the
scientific basis of stringed instruments. The promise of an acoustically
superior hall was reportedly the lure for Dr. Edelman's Westward move
to La Jolla from New York (where the Institute was born in the 1980s).
Thus there is a rhyme-and-reason for why the Neurosciences Institute
has, in Cyril Harris' own words, "the
finest small concert hall in the world!"
And
you will soon agree, it is all for the good. Today, the Auditorium is
one of the ways by which the Institute reaches out to the local community.
Through its unique program, “Performing Arts at The Neurosciences
Institute,” the hall is made available without charge to many
distinguished arts and educational organizations in San Diego County
for concerts and educational presentations. It is a great service
to the community and a most eloquent affirmation of the belief
that the Arts are as important an endeavor as Science. By encouraging
and supporting music and the other performing arts in this way, the
Institute, among whose research fellows are music enthusiasts and amateur
musicians, underscores the special relationship between the ARTS and
the HUMAN BRAIN.
Photo courtesy: Neurosciences Institute
Third, but by no means the least important - the nature of
the research being pursued at the Institute, its reason for being. The
focus is the HUMAN BRAIN, about which so little is understood even today
relative to the rest of the human anatomy. No small wonder that it is
called the "final frontier" of scientific discovery.
Scientists
at the Institute conduct experimental and theoretical research at the
most basic level in order to gain a greater understanding of how a healthy
brain functions. This could eventually shed light on the dysfunctions
that cause devastating neurological diseases and reveal insights that
could lead to cures or solutions to these problems, as well as other
practical applications. But ultimately, what they seek to unravel are
the profound mysteries of mind (How do we think? What is memory? How
do we feel? etc.), consciousness (What enables man to be conscious that
he is conscious?) and human individuality (What in the end makes a human
human? What makes each person unique?).
An
interesting, highly specialized area of research being actively pursued
at the Institute involves MUSIC and the BRAIN, or the neuroscientific
study of music, also sometimes called the scientification of music.
It is a relative new area of study, but already Aniruddh Patel,
Esther J. Burnham Senior Fellow at the Institute, has published a book
on the subject. Entitled
"Music, Language, and the Brain" it has
been widely acclaimed for its "scholarship, clarity and humility."
BUY
THE BOOK
It is believed that results of these studies can enhance our understanding
of brain function and provide answers to such questions as: Is music
akin to language in terms of brain function? Is music, like language
as some believe, an evolutionary adaptation, i.e., does it play a special
role in the survival of the species? Why is man apparently the only
species capable of perceiving rhythm or beat, in other words - dancing?
Is there a neurological basis for so-called music therapy? Is tone-deafness
a result of a brain dysfunction? What goes on in the brain when one
makes music or listens to music? Why do some kinds of music make us
cry and others make us happy? Is a musician's brain different from a
non-musician's? Is the "Mozart Effect" for real, i.e., does
making or listening to music make one smarter? And the list can go on
and on... But one thing is clear: there's definitely more to music than
meets the ear.
And all
of the above proves that yes, Dr. Edelman, there is no other place in
the world like the Neurosciences
Institute! -GCajipe /© FanFaire
* by
New York-based Tod Williams Billie Tsien Architects
Photo credits: B&W photo, © Melissa Marquardt; Color
Photos: © FanFaire.com
FanFaire
Foundation
Mission: To promote MUSIC as a tool for teaching SCIENCE
SCIENCE + MUSIC!
= ADVENTURE + FUN!
back to TOP
|