| CLARA SCHUMANN |
ROBERT SCHUMANN |
1819 |
Born 13 September in
Leipzig to Friedrich Wieck (a music teacher) and Marianne Tromlitz
Wieck (a soprano) |
1810
|
Born 8 June in Zwickau,
Saxony the fifth and last child in the family of August Schumann
(a bookseller, publisher and novelist) and his wife. |
1824
|
Begins piano lessons taught by
her father
|
1824 |
Writes an essay on the aesthetics
of music; contributes to a volume entitled Portraits of Famous
Men. Major influences: Jean Paul, Friedrich Schiller, Johann
Wolfgang von Goethe, Lord Byron and the Greek playwrights. |
| 1825 |
Parents divorce |
1826 |
His father August Schumann dies. |
|
First concert debut at Leipzig Gewandhaus
|
1828 |
Graduates tours Germany, meeting
Heinrich Heine in Munich; begins law studies in Leipzig |
1830 |
Robert Schumann comes to live with
the Wiecks
|
1829 |
Continues law studies in Heidelberg |
| 1831 |
First extended tour |
1830 |
Inspired after hearing Niccolo Paganini
play in Frankfurt, he abandons his law studies and goes back
to Leipzig to study with Friedrich Wieck; he permanently injures
his right hand, which forces him to abandon his dreams of becoming
a concert pianist and to focus instead on composing. |
| 1837 |
Robert officially asks for Clara's
hand in marriage; Wieck is adamantly against the marriage |
1831 |
Writes first critical essay, a piece
on Chopin's variations on a theme from Mozart's Don Giovanni,
which is published in the Allgemeine musikalische Zeitung; composes
Papillons, intended as a musical representation of Jean Paul's
"Flegelijahre" . |
1840
|
Robert and Clara are finally married
on 12 September in Schönefeld after a protracted legal
battle, the union producing 8 children |
1832 |
Visits his relatives in Zwickau
and performs the first movement of his Symphony in G minor at
a concert by Clara Wieck, then 11 years old. |
1844 |
Clara named honorary member of
St. Petersburg Philharmonic Society |
1833 |
Affected by the deaths of his brother
Julius and his sister-in-law Rosalie, attempts to commit suicide,
but fails. |
1853 |
Robert and Clara meet Johannes
Brahms who becomes a very close family friend
|
1834 |
Composes Carnaval (op. 9); inaugurates
Die Neue Zeitschrift fur Musik (New Journal in Music) on April
3, 2008 in which he publishes his critical writings; supports
the revival of interest in past composers, e.g., Mozart, Beethoven
and Weber, and promotes the works of Chopin and Berlioz, while
criticizing the style of Liszt and Wagner; becomes engaged to
16-year old Ernestine von Fricken, the adopted daughter of a
rich Bohemian |
1854 |
Robert committed to an asylum following
a suicide attempt
|
1835 |
His love for 15-year-old Clara Wieck
blossoming, breaks off the engagement; meets secretly in the
evenings with Clara whose father puts an end to the meetings;
meets Felix Mendelssohn. |
1856 |
1856 Robert dies |
1836 |
Composes the Fantasia in C (op.
17). |
1857
.
.
.
1891 |
Moves to Berlin where she performs,
teaches; champions the music of Schumann and Brahms in concert
tours throughout Europe, performing regularly in London except
for four seasons
|
1837 |
Formally asks Wieck for Clara's
hand in marriage, but Wieck refuses; publishes his Études
symphoniques |
|
|
1838 |
Completes Kinderszenen (Scenes from
Childhood),and Kreisleriana. |
|
|
1839 |
Composes the Faschingsschwank aus
Wien (The Carnival Prank from Vienna). |
|
|
1840 |
After a long legal battle with Friedrich
Wieck, marries Clara on 12 September in Schönefeld; writes
168 Lieder; receives an honorary doctoral degree from
the University of Jena for his achievements. |
|
|
1841 |
Composes two of his four symphonies. |
|
|
1842 |
Composes his famous piano quintet
(op. 44). |
|
|
1843 |
Receives a professorship in the
Conservatorium of Leipzig; composes the oratorio Paradise and
the Peri. |
|
|
1844 |
Joins Clara in her concert tour
of Russia; abandons his editorial work due to poor mental health;
writes in his diaries about suffering from constantly hearing
the note A. |
|
|
1846 |
Recovering, Schumann travels to
Vienna. |
|
|
1847 |
Travels to Prague and Berlin in
the spring, and to Zwickau in the summer. |
|
|
1848 |
Finishes his only opera, Genoveva
(op. 81). |
|
|
1849 |
Composes music to Byron's "Manfred",
writing more than in any other year; moves to Kreischa, a village
situated a few miles outside Dresden; celebrates Goethe's hundredth
birthday with performances in Dresden, Leipzig and Weimar of
scenes from his Faust which he completes at the end of the year. |
|
|
1850 |
Succeeds Ferdinand Hiller as musical
director at Düsseldorf, but is soon terminated because
he was a bad conductor. |
|
|
1851 |
Completes the Rhenish Symphony; revises
his Fourth Symphony. |
1878 |
Joins faculty of Hoch Conservatory
where she teaches until 1892 |
1853 |
Meets Johannes Brahms who impresses
the Schumanns and becomes a close family friend; composes the
overture to Faust |
1891 |
Performs her last public concert
in Frankfurt, playing Brahms' Variations on a Theme by Haydn |
1854 |
Ttravels to Hannover, where he hears
a performance of his Paradise and the Peri ; his mental
state deteriorates; writes five variations for the piano, his
last work; attempts suicide by throwing himself from a bridge
into the Rhine but is rescued by boatmen and taken home; asks
to be committed to an insane asylum, where he will remain until
his death. |
1896 |
Suffers a stroke 26 March; dies
20 May at the age of 76; is buried at the Zentral Friedhof
in Bonn. |
1856 |
Dies 29 July; is buried at the Zentral
Friedhof in Bonn. |