| form & SUBSTANCE |
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| She
dazzled the Salzburg Whitsun Festival audience in 1977 when Maestro Herbert
von Karajan introduced his discovery to the world. How could a wisp of
a girl play with such maturity and sophistication? She was but a 13-year
old kid from Munich. The critics, though impressed, had their reservations
- dismissive of yet another Karajan child prodigy, unwilling to rule out
the predictable premature burn-out. Under Karajan's
careful tutelage, she learned and perfected her craft, mastered the Masters,
and spun off recordings of the great violin pieces that have won awards
and distinctions. And as she shed off the baby fat, she metamorphosed
into a glamorous virtuoso who made a statement - with her music of course,
but also with her trademark strapless gown. Her audience never ceased
to be mystified by her art. Yet doubts persisted in elitist, critical
minds for, as convention goes, glamor-girl chic, especially in music,
is incongruous with high art. |
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| * "to eat crow" = to have to admit to having made a mistake, or in a worse way to suffer a humiliation. | |
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