*** GIVEAWAY! ***
KAREN KELTNER
conductor at work
***GIVEAWAY! ***
FRONT PAGE PROFILE AT WORK RECENT WORKS ACCLAIM REPERTOIRE PRESS RELEASES


photos: © ML Hart*

"The way I make music, how I conduct... it's not only with the stick, but with the eyes. I need to be in constant eye contact with the members of the orchestra. Communication is happening all the time... I know when they need guidance or are playing with complete confidence." *

"Power is not what attracted me [to conducting]. I have always adored the collaborative process, and you can't get much more collaborative than opera." **

"Conducting is like life. You can love something and smother it to death, or you can step back and watch that thing or that person take a life of its own and come to fruition. You can be so proud of what you've engendered." **

"I love this part of my life because I feel that I'm the best conductor I've ever been. When you begin, you're so intent on doing everything right that you don't let yourself come to something unfettered. When music is working right, you can just get out of its way and let it happen."**

MYRON FINK, composer - The Conquistador: "The conductor is the one who really creates the whole performance. She sets the tempo, the spirit and the momentum. Music notation is an approximate thing and Karen, who had a remarkable, intuitive grasp of the piece, defined exactly what I meant." **

John Keyes, tenor: "She's a singer's conductor. By that I mean it's as if she's singing with you, breathing with you. It felt like she was inside me and knew exactly when I needed more time, without my having to give physical evidence, like turning blue or nodding my head up and down to go forward.

"Some conductors are very metronomical and look at the music as a kind of scientific formula. Karen automatically knows what breaths are needed, just by listening." **


Offstage: Light Moments


...with frequent collaborators: American composer Carlisle Floyd
and bel canto maestro Richard Bonynge


Note:
* Photos and Keltner quote: ML Hart, "The Art of Making Opera," San Diego Opera, 1997; 222 pp.
** Charlene Baldridge, "The Maestra's Many Lives," Performing Arts: Performing Arts Network, April 2000, pp. 48-52.


A DETAILED KELTNER BIOGRAPHICAL PROFILE

FRONT PAGE PROFILE AT WORK RECENT WORKS ACCLAIM REPERTOIRE PRESS RELEASES




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