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JERRY HADLEY:
creating the role of Don
Luis de Carvajal |
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1993 it was decided that the San Diego Opera would mount The
Conquistador in the 1997 season. Ian Campbell, SDO's General
Director, sent tenor Jerry Hadley a copy of the libretto with
the postcript to "let me know if the role interests you." |
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Hadley,
an avid history buff - having minored in history in college -
was mesmerized by the libretto. It mattered of course that he
has had a long-standing interest in the American Southwest, and
he knew the story of Don Luis de Carvajal y de la Cueva. |
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And
so he went back to Ian Campbell with the message: "Please
don't offer it to anyone else, unless you decide I'm not suited
for the role." |

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At the same
time, Myron Fink, the composer was working on the music. Upon
its completion, he sent Jerry Hadley a copy of the piano score.
Hadley fell in love with the music. And so for the next three
years, composer, librettist, and lead singer engaged in a musical
give-and-take, the occasional dissonances of ideas resolved in
harmony. The role now his to create, Hadley dug ever deeper into
the character of Don Luis de Carvajal, the history of the Mexican
Inquisition, and the soul of the music. |
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the lead singer's role in place, the selection of artists for
the other roles soon followed and the decisions that would make
(or break) the production were soon made.
One opera season passed into another. Then it was 1997 and time
for...
REHEARSALS
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Which meant...
more huddles with the composer and librettist,
practice swings with the sword,
acting warm-ups with other cast members... |
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...one last thought, the final fitting,
and then on to the stage as
THE CONQUISTADOR! |
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Photo Credits: Photos:
© Martha L Hart - Author, The Art of Making Opera / courtesy:
San Diego Opera
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